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Archive for the ‘memoirs’ Category

Charlie Sheen wants to write a gossipy memoir about his experiences at Two and a Half Men. He is asking for the starting bid to be $10 million. The title is to be When the Laughter Stopped, so was that like, season 2?

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According to Entertainment Weekly,

Another unbelievably tasteless tell-all memoir in the works: Jesse James has reportedly signed on with Gallery Books, an imprint of Simon & Schuster, to write a book that will divulge intimate details about his marriage to Sandra Bullock and his engagement to Kat von D.

Trade site Publishers Marketplace had just this to say under deal announcements:

Non-fiction: Memoir
Cheating former husband of Sandra Bullock, Jesse James’s AMERICAN OUTLAW, to Gallery.

The book is rumored to be coming out this year. Too bad they don’t say how much the deal was for. That’s the juiciest part. ‘Til the book comes out, I guess. Sigh.

Would his following even read a book like this? Or read a book in general?

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Just wanted to write a quick update before I hide my wireless router from myself for the day so I can get some book writing done.

I’m starting to feel more embarrassed than usual when people ask me how the book is going, because I keep falling in love with and then completely dropping manuscripts. I wonder if people are thinking, “Amy is really flaky.” I mean, they probably think that already. What kind of linear progress and constancy would you expect from someone who first got published for writing about going on 50 dates?

I also wonder if people think I can’t publish again. That DATING AMY was a one-time thing.

It wasn’t, or at least I don’t think it was. The thing is, it’s hard to know which book is going to be the most viable. Financially, I mean. I read this really brilliant quote on twitter last year that writing a novel is like filling out a lottery ticket for two years.

I don’t know what’s going to take off in the marketplace, but I can at least make an educated guess. The last two books I was working on (since 2008? Ish.) were memoirs, and even though I love them and other people love the idea of them, I am not completely certain I want to risk all my time and pin all my hopes on memoirs. As far as I know they’re not selling to publishers really well. By that I mean they’re not hot.

So I have switched yet again from my memoir about Los Angeles (which I LOVE, by the by, and have written 200 pages of since November 1), to a young adult novel about witchcraft, kinda. It’s my first YA and my first try at fiction. And… now I even sound flaky to myself.

Sigh.

I’m also completely enthralled with the idea of self-publishing, especially for paranormal books, because you could crank them out like an old-fashioned serial without the two-year publishing time lag. The entrepreneur in me gets all excited about selling books directly to readers through Amazon, etc. Also the 70% royalty rate is the bees knees. (The usual with traditional publishing is like 8-12%)

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I love this picture. They had given me a bunch of Jack Daniel’s beforehand.

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I finally made a Press page.

This 2006 interview from Conversations with Famous Writers, is my favorite interview ever:

Conversation Famous Writers: Where do you fall in between the “call me for a good time kind of dating” and the “looking for a husband” kind of dating?

Amy DeZellar: Believe it or not my “number” is still in the single digits and I’m a self-obsessed complainer, so I’m not much of a Good Time Girl in any sense of the phrase. Sadly I haven’t been savvy enough to hone in on looking for a husband either. I wasn’t kidding in my book when I said that I’ve dated strictly for my own pleasure with no thought to a stable future: My history is made up of cross-dressing musicians, circus performers and philosophy grad students. I definitely wish I had a husband now, because launching a writing career is a two-person job and it helps if one of them has an income.

CFW: Have you dated Teflon or Harry Potter since the book has been published?

ADZ: I haven’t seen either of them since the book came out a few months ago, but I’ve seen Teflon since I wrote it. Some of the other men from the 50 dates have come to my readings and one them actually started signing my book for people! I was so pissed on behalf of Teflon and Harry; if anyone has a right to do that it would be one of them. That’s a lie, I’d be pissed if either of them did that too.

The Comedian (who didn’t know I had written about him) showed up at a reading last week. God, in my book I compare him to the Pillsbury Doughboy, say he jumped and squealed like an 11-year-old girl at the slasher movie we went to and joke that he was more hip-replacement than hipster. He in turn said nice things to a reporter about me and later took me out for a glass of merlot and pointed out funny things from my book. He had to wear his bifocals to find the specific paragraphs, but still.

CFW: Tell me about your ideal future husband. Does he have the intelligence of Bill Gates and the looks of John F. Kennedy Jr.? Is he funny like Conan O’Brien or short like Danny DeVito? Crazy like Tom Cruise or serious?

ADZ: In the intro of DATING AMY I talk about how I want to take the good looks of one guy and smash them onto the personality of a different one like a child putting the head of a Barbie doll onto the body of another. Am I too earthbound in admitting that I only do this with men I actually know, though?

Okay, how about if my intended has Brendan Fraser’s looks and Brendan Fraser’s personality combined with Brendan Fraser’s likes and dislikes and Brendan Fraser’s income.

CFW: What is an immediate deal breaker when it comes to guys? From your book I see that you don’t mind paying for dates (perhaps only occasionally), clothes don’t matter (didn’t Harry Potter wear Tevas?) and the guy doesn’t necessarily have to be a perfect specimen. So what’s a big turn off?

ADZ: Harry Potter drove a car that turned heads (in a bad way), Teflon wore Bermuda shorts to dinner, John Goodman was overweight — I just adored each of them. You are right that I don’t give a moment’s thought to appearances, but I do have a huge problem with men not picking up the check. I was gritting my teeth when Harry Potter didn’t pay for the Japanese garden tour and when Unrefrigerated Sandwich wanted me to pay even just the tip at that fantastic dinner at the Pike Market restaurant. I’d rather have a black coffee that the man paid for than a great-yet-Dutch meal.

One of the things I struggle with in my book is when does it become a dealbreaker that a man still wants to continue seeing other women? As you’ve seen I wavered on it, miserably. Now I just expect to be the only woman right away, certainly after anything gets physical, and if not it’s a total dealbreaker. My ex, who I met after I finished the book, has become my template for how things should be done. He was microwave-hot and had more options than most with women, yet just expected that we’d be exclusive. Never again will I buy into a man saying “I need to sleep with you for awhile longer before I make up my mind” or “I need to date a few other women before I can tell how I feel about you” or “I’ll probably stop seeing other women after dating you for a few months.”

It’s laughable to hear men use the excuse that they have too many choices to limit themselves to one woman. If Paul McCartney can commit to having just one, Joseph Schmo of Seattle certainly can too.

Another thread that runs through DATING AMY is this question of “How much is it okay to ask for from a man?” In the beginning of the book I don’t ask for that much, maybe that the guy pick up the check and not ogle other women (especially if he’s blind), but as it goes on my demands get bigger and more personal. I figure men are natural negotiators, so ask for the moon and they’ll probably talk you down to accepting undying devotion, maybe dessert.

CFW: Why do you think its so easy for some people to find a spouse and for others it’s like digging for a diamond in a coal mine. Or finding a sapphire encrusted needle in a haystack- impossible.

ADZ: It’s not a diamond or sapphire, it’s a neon sign flashing “Intentions.” I knew a woman who had to be careful with whom she accepts a date, because every first date she’s had ends up as a longterm relationship.

The other night I went out with a guy who has to keeps an Excel spreadsheet since he dates so many women. He’s at #123 for this year alone and he’s still nowhere near cohabitation. Neither is more unique or special than the other, it’s just one wants to be in a relationship — yesterday — and the other doesn’t just now. It’s easier to be selfish and alone, but a lot of times we don’t feel too pretty admitting this, so we do online dating and mew about not being able to find anyone a lot.

I took a swipe in the Seattle Weekly at never-married men over 35 who pretend to be earnest about finding a relationship when really they just want to play the field, but I may have unwittingly done the same thing. In the back of my mind I’ve always wanted to have a tangible success in the arts before I settled down. I met my last boyfriend as I was literally finishing up the edits to my book at a coffee shop and it was a whole different feeling from when I was going on The Dates. I suddenly adopted the point of view of ‘what’s good about this relationship?’ rather than ‘how many things can I find wrong with him to bitch about… or mock?’

CFW: What kind of publicity have you done for the book and have you had a lot of weirdos come out trying to meet you? What is it like to meet your fans or the people that have been with you since day one?

ADZ: I have male groupies. Some of the more notorious ones are old and can’t drive to my readings if they’re too far away, but when I’m in town they rock it at Barnes and Noble until sometimes as late as 8:30. I don’t mean to sound slutty, but I’ve been accepting dates with a few of those who are under 55. ‘

CFW: How did it go over when you asked for donations on your site? I did that once and people went crazy telling me how selfish I was to be looking to make money off my site. Ever get any rude emails?

ADZ: I’ve gotten death threats over asking for money. One would think that the fact that I wrote about intimate relationships with men, sometimes without their knowledge, would be more upsetting for people, but no, my saying “If you like my writing, feel free to send a few bucks” incurred much more hostility. Most professional writers know there’s not a lot of money in writing, still I think it’s an hilarious social comment that someone said he wanted to see me dead because I suggested being paid for my work. But enough about my publisher.
Seriously, to answer your question, yes, I have gotten rude emails.

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I am looking for inspiration for my L.A. music story (as if 50 journals and enough excitement on my part to set off a fireworks display isn’t enough).

So I asked one of my Seattle music critic friends for rock & roll memoir recommendations and he suggested Motley Crue: The Dirt-Confessions of the World’s Most Notorious Rock Band. It’s written by the whole band and just the first paragraph made me laugh out loud. I cannot wait to delve into this book, especially since the Sunset Strip locale and time period overlaps with my own memoir.

Unfortunately I’m supposed to be writing instead of reading right now. I’ve committed to NaNoWriMo–National Novel Writing Month–during which mostly yet-to-be-published writers bang out 50,000 words during the month of November.

My plan is to write during the day and then take this book (and a groupie?) to bed at night with a bottle of Jack Daniel’s, which is the serving suggestion depicted on the cover.

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As anyone who knows me knows, I’ve been working on a memoir “about my neighborhood” for over two years. It’s really much bigger and more intriguing than that, but that’s its code name. It’s like when you’re driving through Los Angeles and you see cardboard signs with arrows that say this way to “Clearasil Commercial Shoot” which is really secret code for the latest Brad Pitt movie.

Anyway. There has been a lot of interest in the Neighborhood Book, but not enough to keep me going, and for now… I am deciding to cut my losses and put it aside.

The truth is, I met another project and I’m crazy about it. I get up at 5 a.m. to work on it and when friends text me to go to lunch at 7 a.m., I think they’re weird, but then I look at the clock and it’s 1 p.m. and it’s just that I’ve been that absorbed in my work for hours.

There is resistance, though. A mini outcry. The old project is like the boyfriend that everyone has gotten used to–actually people really like him and want me to keep seeing him.

I don’t know what to say. It’s not him, it’s me. Maybe someday we will get back together and work things out. I just need space to work on this new book (that I’m really, really excited about). We’re in the throes of ecstasy, but I know I need to act like I at least feel a little bad for leaving that other project. (Clearasil? Neighborhood? I’m already forgetting its name!)

Speaking of misleading cardboard signs, the new memoir takes place in L.A. It may sound like an acne commercial, but it’s totally Brad Pitt.

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The woman at the used bookstore by my house recommended The Glass Castle as “a book for people who don’t even like to read.”

I flipped through the first few pages and didn’t buy it, but I couldn’t get the first image — a woman in New York looking out of her taxi window and seeing her homeless mom rummaging through a dumpster — out of my head, so the next day I went back and coughed up the $7.

I love this book; it’s one of the best I’ve read this year and I’ve been reading a lot.

It’s about four kids and the extremely capricious, bright, destitute parents who drag them all over the country. Narrated by Jeannette Walls, the middle sister, these plucky little Dickensian kids made me want to live in their dirt-poor reality.

The Glass Castle is also a lesson in how to write a memoir. So often people think that if they write a bunch of horrible things that happened to them, other people will automatically relate.

It’s the resilience in the face of misery that people are relating to, though, not the misery.

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I want to do another project like DatingAmy.com, but not with dating (or 50, necessarily). I’m bored and in a rut lately, I probably have been for some time and just didn’t realize it.

I’ve been reading the book Yes Man by Danny Wallace. I had seen the Jim Carrey movie and liked it, but the book is much wittier. And British.

It’s inspiring me, I just don’t know in what way yet. Saying yes to everything sounds expensive, for one thing.

I took the problem to twitter. Mark Henry, a local paranormal humor writer said: Three words, Crime Spree Amy.

Sam Gemmill, another British writer says: ” Just say no to everything instead. I’ve been doing it for years, works great.”

Years before I did Dating Amy, I had an idea to try one thing I’ve never done every day. At this point I’ve done so much that a lot of the more interesting things I had never done have been… did. Also, as a friend of mine pointed out at the time: That would be really hard.

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It’s not that The Hollywood Reporter is out of touch or anything, but they had this to say about Julia Roberts’ new film:

Eat Pray Love, which opens Friday, seems to speak to a certain recession-era mentality of self-discovery and authenticity.

Seriously? The very well-known and successful author Elizabeth Gilbert got a six-figure advance from her publisher to live in Italy, India and Bali for a year.

That seems more like the 80s real estate boom or 90s dot-com venture capitalism mentality than the post-bankopolis times we’re in now.

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